"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
本来想给更低的星,但看了另一部日影后,发现这部还不错了,虽然还是闷。
(不要再和谐我了这到底有什么可删的
音乐很好,以2个人的视角。电影里的情感很日本,浅浅。2个女孩明明是可以在一起,勇敢点就好了。每天人们都在接受离开。
想表达的的东西太多了…导致显得没有主题 画面配色摄影很美 很有日式浪漫 但是 还是那个问题 太散了 像散文 不知道抒情的落脚点具体落在哪里 几段动画倒是很点题 (店主大叔死的时候真的好难过啊。。有时候人就是这样 突然莫名的崩溃 莫名的离开 留下的人看着这个人活着的痕迹被抹去 除了怀念什么都做不了)感觉大叔和堇是一样的人 都很温暖 很会生活 但是总是让人感觉很疏离 好像人身体在眼前 却没办法真切看清 一种笑都带着悲伤的感觉
美波很可爱,但是这部电影真的是差,感情线更是无语,更别提还有岸井雪乃了,真是恶心
想搞笑,但并不搞笑,想煽情情也没煽上来,什么都想来点,然后什么都没占上。
比较平静吧。躺在床上咬手指的那一幕、在客厅涂指甲油吃水果的那一幕,都想你
其实动画部分真的做得好好看………但是故事真的又苦又漫长🥱
比好多院线电影都拍的认真多了,给四月带来了一些快乐和希望,希望峰哥和佳佳多多合作~
前半段还行 后半段就不太可了 说好的二手月季唱一宿呢
“(未来有什么打算)我也不知道,但此刻只想待在你的房间里”
搓澡之神,烧烤之神,酒桌之神,送葬之神,求求了,差不多就得了
我天天跟人解释东北人没那么虎,没那么爱装社会人,没那么爱打架斗殴,结果你们隔两年就得整一部这种电影,艹
优美自然的文字,内心情感的表达,形散神不散的结构,就像一篇如大海般深邃的散文,只可惜如今这个浮躁的社会越来越少人愿意读这样的文章了。
百合但不十分百合,非常有日系味儿的一部片子,我宁愿叫它海啸遇难者家属纪录片。女主很漂亮
确实是最全东北天团了。故事中规中矩,但是网大做出了电影的质感,还是挺难得的。
完成度高,东北第三产业献礼了属于是。镜头语言略单调,喜感到位情节尚可,合格网大
不由想,若我死了,恐怕家人或朋友眼里看到的也就是“她喜欢这蓝衣服”而我“不喜欢自己的衣服”,而又有多少人知晓我的不喜欢或是真的喜欢呢?
属于是重点涣散信息量少的电影,一个小时也可以讲完。没必要非得用这种结构,因为关注的地方不是什么大事。
沉默不语。
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