这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
为改良版的baby it's cold outside加一星！（以及我素颜中分带眼镜干活的样子真的好像jimmy yang）
反转的反转，最后是happy ending，但如果真有一位女性现实中这么摇摆的话，收获幸福的机会可能更渺茫吧
剧情没有亮点，但是delivery很好啊-带出主题心灵美确实是很重要的
道理我都懂，虽然nina这几年老的有些快，虽然男主人是非常好，但是最后nina亲上去的时候，我真的还是没忍住愤怒，两星不能再多了。
两星半，老套的圣诞爱情喜剧，不得不说，男女主角真的没有CP感哦。
欧阳万成在《硅谷》里的形象太深入人心，很难相信他这回真是个好人。虽然他性格的确很讨喜，但是为啥岑哥不是男主，他真的好帅啊……Nina脸上胶原蛋白已经不在了……【虽然我不觉得宝贝儿外头冷是圣诞强奸神曲，但是这个版本我爱了哈哈哈哈哈
妮娜杜波夫越长越残了，他的颜值已经撑不起这种剧情垃圾的电影，
合格的爆米花电影。打完分我在想可能是因为超喜欢Jimmy所以硬加了一星，但又好像不仅仅是这样，是打心眼里希望更多刻画亚裔正面形象的电影出现才加的（虽然设定还是满满的stereotype）。
爆米花电影，华人跟白女搭配这个我觉得电影所需，但我没懂即便在国外长大的华人也对圣诞节这么热衷的吗？
看了开头就能猜到结尾系列。有点俗但没那么俗。
我说网飞的大数据是不是要更新一下算法了，这romcom的剧情可是越写越差了...😅
周五下午想看一部轻松的无脑片快落一下，选对了。
怀疑我对欧阳万成是有滤镜的，不然他和never have i ever的男主共演一部cheesy圣诞喜剧，并且我还觉得能看，实在是离谱！攀岩梭罗肉食和bobsled是和tag不合适的理由吗。（确实蛮喜欢baby it's cold outside改编大家都应该一起喝lemon lacroix）
很yy很圣诞很合家欢的一部片子，但现实生活中似乎白女+亚男的搭配不多？《真爱至上》真是每到圣诞季就会被拉出来鞭尸233333妮娜虽然胶原蛋白流失了不少但身材还是能打的，为了她多加一星。爱不是完美，是真实。
又是一个假装爱上了就可以忽略所有问题的故事
现实角度讲女主结局选择太难以理解 剧情上也没有给与足够的情感铺垫 有种为这种照骗行为洗白的感觉
我觉得比期待值更高。女主和男主正巧分别是在dating里欺骗内在和外在。其实女主说男主盗用photo欺骗的是identity，是piece of fiction的时候，她自己在Tag面前展示出来的只有容貌是真的，意外的还挺深刻的。关系里面保持真实最重要。我不知道是否人终其一生会有个perfect man，但是能找到一个自己觉得perfect的imperfect man也很难吧。
合格的爆米花电影。打完分我在想可能是因为超喜欢Jimmy所以硬加了一星，但又好像不仅仅是这样，是打心眼里希望更多刻画亚裔正面形象的电影出现才加的（虽然设定还是满满的stereotype）。
Netflix流水线电影overdose的一天。
这部片针对华人群体，大数据显示nina的吸血鬼日记在华人群体中受众极大。网飞就这么通过大数据确定了女主角？特别强调女主交往过very good in bed的beijinger，这是在对抗什么stereotype大家心知肚明，就是有点太过刻意。整体来说就是部俗到不行的爽文。
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